#She deserves freedom

[bluestrawberrybunny]

This week on SMG4:

Bitch fucking losing it again and Mr. Puzzles being a homophobic (/j I hc this man as a flamboyant homosexual and no one can stop me) dumbass

Next Week:

We're gonna get an IGBP Part 2 in the future aren't we chat?

[violentbirds]

Just a fun illustration for a Star Wars discord im on. This is younger Beru and little Luke. I love Beru. I want to know more about her and her time with Luke. And I want all the AU’s where she survives and Luke makes her proud.

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[looney-mooney-studio]

I know Lezah is dead. I KNOW. But her last name is Sllew and she SLAYS. I want to give her apple juice and trail mix with extra raisins in it as a snack break from breaking convention regulations

[ganondoodle]

the idea of playable zelda in itself is really cool, but then i think of how her 'type' of character typically gets animated/sounds/treated and i just shrivel up inside

the only way id accept if it was like fromsofts way of doing it, which is there is literally little to no difference no matter who you play as, but we all know nintendo would never lol

[simplykorra]

i'm really here...i'm alive

[a-spacecadet]

Harriet, star actress~ ⋆｡°✩

(She’s playing Glinda the Good Witch! 🫧)

[k9punkout]

saw someone on twitter analyze hyuna and luka's relationship and they brought up hyun-woo's death and it had me thinking abt it in an entirely different light.

as we all saw in all-in, hyuna is held back by her past. she's free in every aspect except for when it comes to that. shes constantly running from those memories and the thoughts they induce.

it's not just the pain of hyun-woo's loss, it's the guilt, the confusion, the shock that never really went away. it's that horrible question of where did it all go wrong? and if i had noticed earlier, would anything be different? is this my fault?

the death of her brother is the only thing that still holds her back from total freedom. it keeps her chained in a way that isn't visible, fragile in the way an arrow is--too fast and too sharp to notice how easily she breaks. she's strong in every way, but her one weakness is debilitating.

but, in a sense, it was hyun-woo's death that set her on that path to strength and freedom. i dont think there was anyone dearer to her heart than him. the trio that she, hyun-woo, and luka made created their own little world within anakt, a safe haven that she'd never leave for anything, because why would she? theres no point in leaving. theres no danger here, only laughter and games.

until that fabricated world shattered. much like mizi's experience, hyuna was given a forceful and sudden reality check, and nothing about her would ever be the same. luka was nowhere near the person she thought he was, and her brother was now a corpse on the floor.

she'd spent all her life with him, and now she'd never see him again. his smile, once so full of life and energy, would never show itself again. theres no joy in this place. not anymore.

so she escaped. anakt could offer her nothing but misery and death. it was no longer painted in the joyous, vibrant hues that luka and hyun-woo had once brought.

the tragedy gave her the clarity she needed to finally leave, and live for herself. it's a double-edged sword, both a weapon and a weakness.

[slobozan-shitposting]

ADB: so here's Lotara Sarrin. She's a woman in traditionally male dominated field. She hides *something important* in her wardrobe. She's obsessed with her ship. Also, here's a young female subordinate of Lotara. She's surgically implanted into the console, basically a part of the ship. And she's one of the few people Lotara is nice to. And that's how they talk to each other, no homo, right?

Wh40k fandom: hmm Lotara's definitely into men, probably Khârn or Angron 🤔🤔🤔

[bohemian-nights]

Rhaenyra being forced at nineteen (when most noble born women are betrothed when they’re children and married sometimes before their sixteen to men twice their age) to marry (after being allowed to tour the seven kingdoms to find a husband of her choosing) isn’t sexist. Heirs both female and male have to have a heir to continue the line. Politically marrying Laenor Velaryon is a smart move but Rhaenyra was only forced to marry Laenor because of her inability to choose one on her tour and the fact that she was seen in wh*re house allegedly having sex with not only her Uncle but with Daemon. I understand Rhaenyra’s reasons for not wanting to marry (i.e her mother) but by wanting to eventually be Queen she has to bite the bullet and do it.

And as for her leaving Kings Landing I’m pretty 50/50. I understand why she left but leaving and not returning for six years was a big no no. This is more of a side note but her and Daemon ragging on the fact that Alicent changed the design of the Red Keep makes me angry. It’s been six years and Alicent is Queen Consort to a sick and dying King (a King who treats both herself and their children horribly) let her decorate how she wants to. And with all the sick sh*t the Targaryens do they need Jesus lol (another thing the way they made it seem as if Alicent is the only person wanting Aegon and Helaena to marry makes me mad. Book!wise Viserys and Viserys alone does that. By having Alicent arrange that the two be married makes her a very main cause of her children’s suffering).

As for Daemon himself he’s a sh*t father and a sh*t husband. He “tries” but he should try 100x harder. So why he thinks he should have an opinion on what goes on in a home he hasn’t laid his head down in for sixteen years is beyond my understanding lol.

Nothing to add. These are all the facts💅🏽

[rainybraindays]

So let me get this straight.

The fandom is willing to forgive Portia, who has been abusing her daughters and everyone who comes into her hom? The woman who lied to convince Marina she as unwanted by the man she loves, and slapped her for not wanting to marry a man who could be her grandfather? Who added unnecessary trauma onto her because she didn't like her, othering her the moment she showed up?

The mother who had Prudences corset pulled so tight she fainted? Who used Penelope as the family punching bag, and told her Colin is as much her friend as she was Catherine the Great? Who is constantly verbally abusive and pitting her children against each other to make them earn her love? Who was willing to ruin her childs reputation in order to keep control over her household? Who didn't explain sex to Phillipa which if not for Albion being a good man besotted with his wife could have lead to an incredibly traumatic experience?

We're forgiving her and not Cressida?

Cressida who is being abused by her parents, who was raised in a way that would insure she self isolated from her peers? The girl, only 20 years old, being told shes going to marry a man 3x her age, and that shes no longer allowed to wear color or fun fashions? Wouldn't be allowed to go to more than one social event a month? Denied access to arts and music becaue they're vulgar, and expected to endure him using her body for 4-5 children?

I'm meant to be mad about what she does in desperation to get out of this situation, and I'm meant to celebrate Eloise dropping her and talking poorly about her, despite the fact that Cressida was growing and trying to be better because she viewed Eloise as a friend she cared for and waned to keep? I'm meant to find it fair that shes being sent to live with her equally abusive and controlling aunt, far away from everything and everyone she knows?

Y'all have me absolutely fucked up if you think thats happening

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today

[bumpsyp1ains]

you have lost your parenting privileges

[scrollwyrm]

Freedom deserved so much better

[fictionadventurer]

As I make my way through Vanity Fair, I'm a little bit obsessed with how Thackeray is so brutal in pointing out his characters' flaws and sarcastic about everything, so you wonder if he can see the good in anything or if he's just here to tear everything and everyone down--and yet he still manages to make you genuinely care about these people. He'll point out all the ways his heroine is stupid and weak--and then turn upon the imagined reader who might be criticizing her for those very things and be like, "I'd like to see you do better." He'll drown you in this tidal wave of satire and then suddenly take your breath away with the most heartfelt emotional moment.

He somehow manages to blend these two different approaches to the story in a way that feels completely natural. It's like he's the cynical wit showing off how smart he is and how much he doesn't care, except that underneath it all he cares so much. Or like the sarcasm is driven not by cynicism, but by idealism that can see how no one lives up to those ideals, so he has to laugh at everyone to avoid falling into despair. I don't know. I haven't finished the book yet so I can't say where he's going with this, but it's fascinating.